![]() This doesn’t have to be a fancy tripod or image stabilizer. In order to eradicate this, it is best to stabilize your device in the most effective way possible. We present a new exciting addition to Cooke Optics TV, looking at the. StabilityĪs we’re taking a series of still images, camera judder and wobbly object motion stick out like a sore thumb. Lighting stop-motion at Aardman Animations Masterclass - Dave Alex Riddett. This could be your smartphone or tablet, or even your beloved DSLR.Įditing stop-motion videos is a fun experience, though it can be a little stressful if the footage isn’t as well-produced as possible.īefore we get into the editing, there are a few pointers to bear in mind for allowing your photos to be as easy to work with as possible. Many video editing applications can help with compiling this themselves.Ī device that can take and store photos is all that is required to get started. This means for every second of a video, 12 individual pictures are needed. Van Aken, the US equivalent, has a brighter colour range and will melt and is. ![]() Typically, an animation is played back in at least 12 frames per second. means they handle well under lights), and have a firm sculpting consistency. If you are using 4 lamps then they are categorised as A Back light to illuminate the subject from behind. But don’t be put off, 2 will work quiet well. ![]() However you should ideally have up to 4 light sources or lamps. ![]() The reason stop-motion works the way it does, giving that wonderfully disjointed movement, is that a video compromises a long series of photographs that are compiled and played back at the speed of a movie. A basic lighting setup for Stop Motion animation should include at least 2 lamps to light up your scene and reduce or avoid shadows. ![]()
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